Quoteworthy


...quaecumque sunt vera, quaecumque pudica, quaecumque justa, quaecumque sancta, quaecumque amabilia, quaecumque bonae famae, si qua virtus, si qua laus disciplinae, haec cogitate.
-- Phil. 4:8

Paradoxes of Omnipotence and Freedom II

...in serving be free.
-- Hermann Hesse, The Glass Bead Game, p.74
Freedom, then.
I held out writing this one to finish reading Hermann Hesse's The Glass Bead Game and Thomas Mann's Doctor Faustus. One of their major themes is freedom, or more accurately, the paradox thereof.
Let's put aside free will aside for a moment. Let's deal with the more general concept of freedom first. The paradox, in Christian context, is this: We often speak of being liberated from the slavery of sin. But Paul called himself the slave (doulos) of Christ (Rom. 1:1). Certainly, no man can serve two masters (Mt. 6:24). Though the latter's context is about serving God or Mammon, we can see that we are under the slavery of sin or God, never neither. Some questions: Is there, then, true freedom? If the said true freedom means being free from sin and God, does that mean necessarily a good thing? Do we really want such true freedom?
What does freedom really mean? I find it necessary to quote at length (emphasis mine):
After the principal's address, while everyone was on the way to the bravely bedecked dining hall, Knecht approached the Master with a question, "The principal," he said, "told us how things are outside of Castalia, in the ordinary schools and colleges. He said that the students at the universities study for 'free' professions. If I understood him rightly, these are professions we do not even have here in Castalia. What is the meaning of that? Why are just those professions called 'free'? And why should we Castalians be excluded from them?"
The Magister Musicae drew the young man aside and stood with him under one of the giant trees. An almost sly smile puckered the skin around his eyes into little wrinkles as he replied: "Your name is Knecht, my friend, and perhaps for that reason the word 'free' is so alluring for you. But do not take it too seriously in this case. When the non-Castalians speak of the free professions, the word may sound very serious and even inspiring. But when we use it, we intend it ironically. Freedom exists in those professions only to the extent that the student chooses the profession himself. That produces an appearance of freedom, although in most cases the choice is made less by the student than by his family, and many a father would sooner bite off his tongue than really allow his son free choice. But perhaps that is a slander; let us drop this objection. Let us say that the freedom exists, but it is limited to the one unique act of choosing the profession. Afterward all freedom is over. When he begins his studies at the university, the doctor, lawyer, or engineer is forced into an extremely rigid curriculum which ends with a series of examinations. If he passes them, he receives his license and can thereafter pursue his profession in seeming freedom. But in doing so he becomes the slave of base powers; he is dependent on success, on money, on his ambition, his hunger for fame, on whether or not people like him. He must submit to elections, must earn money, must take part in the ruthless competition of castes, families, political parties, newspapers. In return he has the freedom to become successful and well-to-do, and to be hated by the unsuccessful, or vice versa. For the elite pupil and later member of the Order, everything is the other way around. He does not 'choose' any profession. He does not imagine that he is a better judge of his own talents than are his teachers. He accepts the place and the function within the hierarchy that his superiors choose for him–if, that is, the matter is not reversed and the qualities, gifts and faults of the pupil compel the teachers to send him to one place or another. In the midst of this seeming unfreedom every electus enjoys the greates imaginable freedom after his early courses. Whereas the man in the 'free' professions must submit to a narrow and rigid course of studies with rigid examinations in order to train for his future career, the electus, as soon as he begins studying independently, enjoys so much freedom that there are many who all their lives choose the most abstruse and frequently almost foolish studies, and may continue without hindrance as long as their conduct does not degenerate, The natural teacher is employed as teacher, the natural educator as educator, the natural translator as translator; each, as if of his own accord, finds his way to the place in which he can serve, and in serving be free. Moreover, for the rest of his life he is saved from that 'freedom' of career which means such terrible slavery. He knows nothing of the struggle for money, fame, rank; he recognizes no parties, no dichotomy, between the individual and the office, between what is private and what is public; he feels no dependence upon success. Now do you see, my son, that when we speak of the free professions, the word 'free' is meant rather humorously."
-- Hermann Hesse, The Glass Bead Game, pp.73-74

Leverkühn suffers from the excessive freedom of post-Romantic subjectivity, which paradoxically has at this stage in musical history itself become an oppressive convention; and from a hyper-intelligent technical grasp which allows him instantly to see through every musical trick used by other composers – or hinself. What he craves is a compelling new order that will lift the paradoxical burden of freedom, and a new primitive simplicity that will be a refuge from his own sophistication.
-- T. J. Reed, Introduction, Doctor Faustus, p.ix

Germany is free, in so far as one may apply to a land prostrate and proscribed.
-- Thomas Mann, Doctor Faustus, p.518
You can't miss the unmistakably contemptuous and Aristotelian-golden-mean tone everytime freedom is mentioned. Too much freedom can't be good. Freedom may just be an illusion of it.
The first passage may sound socialistic. Let's not go into that, but you can watch this TEDTalk instead where the speaker talks, among other things, of freedom of choice in once-socialist countries.
I should just conclude this post in thoughtful tone with my opinion on free will and predestination:
Some might argue that predestination precludes free will; it is deteministic. This is not necessarily the case. It just happens that God has free will, too. You are free to choose, so is He. Men try all the time to turn the tides of history; if God chooses to dip His finger in the flow of Time, how would you argue that He can't? 

Paradoxes of Omnipotence and Freedom I

Listverse has just released a list of paradoxes. They are excellent sources of philosophical discussion, but alas, when it involves religion, the paradox in question has to be resolved, or at least has its illusory contradiction laid bare. 
There are two paradoxes which may confuse the Christian. The first being the paradox of omnipotence, which is the first item on Listverse's list. The other being the paradox of freedom, not on the list.
I shall try to touch on them at length.
Of omnipotence:
A classical problem:
Can God create a rock so heavy He can't lift it?
Answering yes or no would imply incapability of either creating or lifting the stone, and assuming omnipotence is the "capability to do all things", this is a paradox.
As Utahraptor said here, this can be generalised like thus:
If you can do anything, then you can do things that prevent you from doing other things, and therefore, you can't do anything.
In simpler terms: if you have the powers to do everything, you would have the power to strip yourself of all powers included, then you don't have any power. Clearly, this has to mean that there is a fundamental error in our notion of omnipotence, because if we follow the logic of the paradox, omnipotence itself may lead to impotence.
Omnipotence, then, has to be redefined so as the definition is such that it excludes contradictions to itself, unlike our definition above. In turn, we have to narrow down the list of the powers of the omnipotent. This may sound absurd if we relate back that the omnipotent Being is God. This has to mean that God has limitations of what He can do.
Fair enough, but it is even absurder if you don't limit on what God can do, for instance: God can sin. Well, no, of course not. Does that mean God is not all-powerful? Quite the opposite. 
God cannot sin. If we generalise this, we can say: God cannot contradict himself. That would solve the rock problem. The answer is a simple 'no', simply because God cannot contradict himself.
Thus, the source of the paradox is on the inherently contradictory definition of omnipotence itself. The definition cannot be all-encompassing, because some powers would contradict others.
Paradox of freedom, in due course.

Lexical Order

If you have shelved your thermodynamics at the back of your mind, go retrieve it. Done?
ΔfHO 
According to the order of appearance: change, formation, enthalpy, standard. 
But lo and behold, you are supposed to read that as: standard enthalpy change of formation. How can that be?
This is because English language adopts lexical order which does not really follow natural thinking process. First off, languages can be divided into two according to the lexical order: modifier-modified and modified-modifier. English belongs to the former, since the modifier precedes the modified. Consider the phrase:
beautiful girl
girl is the noun, the modified, while beautiful is an adjective, so it is an attribute, a modifier.
In Swahili, the same phrase would be (courtesy of Google Translate):
msichana mzuri (literally, girl beautiful, preserving the lexical order)
Note that now the modified precedes the modifier.
As English speakers we probably do not realise how unnatural is the English lexical order. If you think about it, the main idea must be the modified, while modifiers are just attributes. If we are talking about a 'beautiful girl', we are talking about a girl, not a beautiful.
Our mind is usually concerned with the bigger picture first, i.e. the modified; while details, the modifiers, can be filled later. Is there evidence that this is the natural way of thinking? We write symbols that way. Again, look at the same symbol of  'standard enthalpy of formation':
ΔfHO 
Note that the modified is change. The main modifier is enthalpy. Thus it is a change -- what kind of change? Enthalpy change. 
Other modifiers, formation and standard, appear as subscript or superscript. f subscript is appended after change because formation specifies the type of change. (Digressing a little bit: This is the new IUPAC convention. Last time, the f subscript used to be placed after the thermodynamic state function. This is not very accurate since, as mentioned, formation is the attribute of change rather than that of enthalpy. IUPAC actually pays attention to proper lexical order!). Nought superscript is more like the modifier to the whole thing, like thus: (ΔfH)O . 
Having said all that though, it languages do have ways to reverse lexical order. English uses 'of' to place modifier after the modified:
girl of unworldy beauty
While Japanese uses the familiar 'no' (の), which performs very similar functions to 'of'. This though, one must admit, is kind of unwieldy. The rendering of our symbol if the order of appearance is to be followed would be:
Change (of formation) of enthalpy, in standard conditions
There is an alternative argument to the 'unnatural' argument, which is to say that the modifier-modified languages put more importance, then, in the details rather than the big picture. Language and culture are intertwined, as I wrote quite lengthily before. Language is the frame on which thoughts are built upon, so its structure will influence the product of thoughts, i.e. culture, in some ways. We can extrapolate, say, that users of modified-modifier languages are more individualistic than they are socialistic, because they are more concerned with details. This conclusion is, of course, far-fetched. However, you may be surprised that there is actually correlation of sorts: A lot of Western languages are actually modifier-modified and the Western culture tends to be more individualistic. 
But then again, as I pointed out before, you have to be aware that indeed language influences culture, but the other way is also true; the two are intricately intertwined. Like nature and nurture. Ouroboros-like.

Metaphorical-to-Literal Transcendence

And what the heck is that, you might ask. It just sounds fancy but it is actually very simple.
To appreciate this literary technique fully, however, one needs to understand the technicalities of metaphor first.
So, what is a metaphor? A good start is the TEDTalk titled Metaphorically Speaking by James Geary:


I would like to modify a bit:
Geary talked about
X=Y (equal)
Let us change it to
X//Y (parallel)
instead.
So for "Juliet is the sun":
Instead of Juliet=sun, we have Juliet//sun. The importance of which will be clear later.
In my working definition here, a metaphor draws a parallel from the literal plane to the metaphorical plane.
"Juliet is the sun"
"The sun" is on the literal plane. Juliet is on the metaphorical plane, having all the sunny qualities Shakespeare intended for her to have. Maybe she is warm, but nothing to do with temperature. Maybe she is radiant, but nothing to with how many lux she emits.
When we draw parallels, it is important to recognise that nothing is ever equal to something except itself.
So X can never be equal to Y, but there are some aspects of Y that in X we can find similarities to. Juliet is warm, yes, radiant, yes, ball of nuclear fusion,... wait a minute. There are only so many that you can draw parallels, but never all aspects exhaustive.
On the other hand, how many parallels one can possibly draw attests to the genius of the metaphorist. Wikipedia offers Shakespeare's As You Like It passage as a fine example of extended metaphor. I couldn't agree more:
All the world's a stage
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. -- Shakespeare, As You Like It, Act II, Scene 7
Breaking down:
World//stage, men and women//actors, birth//entrance, death//exit, profession//role, periods of life//acts
This is the power of extended metaphor, to amaze by the many parallels and somehow all of them are coherent, unified in a certain manner or theme.
Now, there is a reason to segregate the two planes and keep them separate. Simply because it can get quite confusing otherwise. But of course rules are meant to be broken right?

Don't judge a book by its cover. But a car is not a book.
-- Seen outside a car showroom

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.
-- Groucho Marx

These are what I call metaphorical-to-literal transcendence. It simply means that the metaphorical has been transcended to the literal. 
Let's dissect the first one first: car//book, outer appearance of a car//book cover
So far so good. The metaphor is implied through the cliché and the context that the writing is on a banner outside a car showroom. The second sentence then promptly destroys the parallel and transcends the car from metaphorical to literal plane. A car is not a book. Of course! They exist in different planes in the first place. The ruination of the metaphor is a clever ploy, since it forces one's mind to consider the literal car, not simply a generalised consumable that is not to be judged by its outer appearance alone.
Second one -- easier to use equality model of metaphor here: outside of a dog=other than a dog, inside of a dog=dog innards
It is quite clear that the first sentence, 'outside' is meant metaphorically, but in the second 'inside', defying the logical pattern, is meant literally.
Bottom line, what does this literary technique serve?
It should be noted that the obfuscation of metaphorical and literal planes is, as I mentioned, exception rather than the rule, so it has the novelty, defiance-tinged kind of impact, but it has to be used sparingly.
Last thing. If you notice, I have explained metaphorical-to-literal transcendence using 'planes', which is itself a metaphor. That just means that the whole article itself is metaphorical-to-literal transcendence, no?

The first thing that dissolves in alcohol is dignity.
-- Anon

Monotheism and Causa Prima

If I am capable of grasping God objectively, I do not believe, but precisely because I cannot do this I must believe.
-- Søren Aabye Kierkegaard

When a friend ask me a while back: "Why can there be only one God?", I was taken aback a little. Sure, I am a Christian, believing in monotheism, but it had never crossed my mind why it is so. This was not ignorance but more like in my mind the inescapable conclusion is that God can only be one.
The argument I thus offered my friend was the causa prima argument: 
Look at the world as a series of causes and effects with innumerable branches. An event is preceded by a cause, which is in turn preceded by another cause, and so on. Up the branches, we inevitably have to come to a point where there is a single cause that itself is not caused. This cause, or entity if you like, is called Causa Prima, the first cause.
To me, the extrapolation until every event is reduced to singularity of cause is inevitable. Animals cannot extrapolate far enough. An old dog-and-cat joke: If a dog is taken care of, it would deem the one taking care of him the Master. If a cat is taken care of, it would deem itself the Master. 
Humans are then a little better. We see something greater than ourselves, then we extrapolate upwards to find God at the zenith of infinity. If we ever go along the way of arrogance of the cat, our rationale would tell us that a lot of things are beyond our control, therefore we ourselves cannot be gods. 
By the way, the causa prima argument provides answer to chicken-and-egg question:
A chicken originates from an egg; an egg, a chicken; and so on. Sounds awfully familiar to cause-and-effect picture? This obviously has to stop somewhere up the origination branches. Simply: God creates the first pair of chickens. If you cringe at the word 'God', fine, you can replace the causa prima as anything else that causes the first pair of chickens. Evolution from another species, for instance. You should note however, that this causa prima is not the Causa Prima. It only is as far as existence of chickens is concerned. Regarding the existence of everything, subsuming chickens, the Causa Prima can only be a Supreme Being, with intelligence and consciousness.
You may realise that our extrapolation to find God is quite feeble. We have the concept of 'infinity' but it so taxes our mind when we try to rationalise it. The picture of God is then a fuzzy one, One whose personage we can only deduce from the ramifications down the branches of cause-and-effect. Religions then, can be seen as the attempt to illuminate on the identity and motives of this fuzzy God. This definition may not apply to some religions, like Buddhism where there is no God. Again, it depends on what religion means. Some people do not classify Buddhism as religion, but merely a way of living. If you look at the world's religions, monotheistic ones are surprisingly scarce: Zoroastrianism, Islam, Judaism and Christianity. Some might even group the latter three as Abrahamic religions collectively. 
I should highlight that most religions view this attempt to uncover who God is anthropocentrally. Do good deeds, accumulate enough points to gain the entry to Salvation. In Christianity the picture is a little different: God understands that Man's picture of Him is fuzzy, so He went and revealed Himself, his personage, purposes, and ultimately His authorship of Salvation in Jesus Christ.
If you say doing good is enough for salvation, you have gone the path of arrogance of the cat. Who are we to say that our moral standard is good enough, that our 'good' is truly good? The Bible mentions several discrepancies between our own moral standard and that of God. If someone slap you in the cheek, you would be entitled to retaliate with another slap, an eye for an eye, right? No, Jesus said, give him your other cheek. You are entitled to love your friend and hate your enemy, right? No, Jesus said, love your enemy. That illustrates how Man finds himself deep in the mud of corruption, even his own moral is already corrupted; he cannot hoist himself to the higher ground. The only salvation is to reach the outstretched Hand coming down from above. 
Doing good then is not the requirement of salvation, rather it is the consequence of it.
Fuzzy?